Venue:
Yes
Company:
Director:
Set designer:
Costume designer:
Dates:
08/09/2011 to 31/07/2012
Show type:
Production photographs
Press quotes
The show is enclosed in a half circle of benches, reminiscent of those in the Grecian world which Dysart makes frequent references to, and the strong cast act as onlookers when not in the centre of the circle forming the story. These onlookers are also joined by the six blinded horses, which are in... continue reading
Lu Greer, The Public Reviews 21/09/2011
This is ultimately a love story, dealt with intelligent lighting and staging which gave it an air of intensity and passion.
Lee Stevens, Lastest 7 29/09/2011
The visual imagery of Kerry Bradley's creative set is stunning. Six striking and majestic heads held high and ingeniously lit, are reminiscent of Nick Fiddian Green's impressive equine sculptures.
Jill Lawrie, Remote Goat 29/09/2011
Directed with aplomb by Michael Cabot with a striking set and mask designs by Kerry Bradley and beautifully lit by Paul Green, this was an exceptional play that still has the power to shock.
Robin Strapp, British Theatre Guide 21/10/2011
A striking amphitheatre set by Kerry Bradley of mock marble curved seating and horses’ heads brilliantly lit by Paul Green is set before a suspended circle of hay and vast crucifix. Five Stars.
Harry Mottram, Western Daily Press 18/10/2011
this presentation achieves its explicit drama, helped by Kerry Bradley’s design and the lighting by Paul Green
Mary Leland, The Irish Times 16/02/2012
Michael Cabot’s production makes it clear we are all observers to the horrors that unfold. Played out in a semi-circular amphitheatre, the cast providing a silent chorus when not performing, supplemented by an ever present equine presence, realised chillingly by Kerry Bradley’s half dozen metal... continue reading
Glen Pearce, 16/03/2012
Kerry Bradley’s claustrophobic set design is the perfect adjunct to the action. It is complemented superbly by Paul Green’s lighting design. Pools of light and darkness focus the attention. Much is stark and monochromatic, fitting the mood exactly.
Selwyn Knight,
