Salisbury Playhouse
| Show name | ALD Member | Type | Venue/Company | Creative team | Opens |
|---|---|---|---|---|---|
| How the Other Half Loves | Johanna Town | Theatre |
Salisbury Playhouse Wiltshire Creatives |
Feb 2023 | |
| How the Other Half Loves | Megan Lucas | Theatre | Salisbury Playhouse |
Lighting designer: Joanna Town |
Feb 2023 |
| The Wizard of Oz | Sarah Bath | Musical |
Salisbury Playhouse Stage '65 Youth Theatre |
Director: Dave Orme Set designer: Bronia Housman |
Aug 2019 |
| The Mirror Crack’d | Malcolm Rippeth | Theatre |
Salisbury Playhouse, then touring Wales Millennium Centre & Wiltshire Creative |
Director: Melly Still Set designer: Richard Kent |
Feb 2019 |
| Her Naked Skin | Johanna Town | Theatre | Salisbury Playhouse | Oct 2018 | |
| Aladdin | Matt Haskins | Theatre | Salisbury Playhouse |
Director: Ryan McBryde Set designer: Juliet Shillingford |
Dec 2016 |
| Deathtrap | James Whiteside | Theatre |
Salisbury Playhouse Salisbury Playhouse |
Director: Adam Penford Set designer: Morgan Large |
Feb 2016 |
| The Magna Carta Plays | Johanna E Town | Theatre | Salisbury Playhouse | Oct 2015 | |
| Pride and Prejudice | Simon Wilkinson | Theatre |
Salisbury Playhouse, then touring Two Bit Classics |
Director: Abigail Anderson Set designer: Dora Schweitzer |
Sep 2014 |
| London | Malcolm Rippeth | Theatre |
Salisbury Playhouse, then touring Paines Plough |
Director: George Perrin Set designer: Hannah Clark |
Oct 2012 |
| Anne and Zef | Katharine Williams | Theatre |
Salisbury Playhouse Company of Angels |
Director: Ben Kidd Set designer: Miriam Nabarro |
Mar 2012 |
| The Seven Year Itch | Malcolm Rippeth | Theatre | Salisbury Playhouse |
Director: Blanche McIntyre Set designer: James Cotterill |
Mar 2012 |
| Northanger Abbey | Hansjorg Schmidt | Theatre |
Salisbury Playhouse, then touring Salisbury Playhouse |
Director: Tim Luscombe Set designer: Colin Falconer |
Sep 2007 |
| Dealer's Choice | Malcolm Rippeth | Theatre | Salisbury Playhouse |
Director: Femi Elufowoju Jnr Set designer: Joanna Parker |
Oct 2002 |
