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Dates:
25/07/2015 to 23/08/2015
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Press quotes
Lez Brotherston’s set is wondrous, with its aircraft propeller, huge slatted skies, galvanised troughs, and tractor. With Malcolm Rippeth’s dramatic lighting, the effects are atmospheric and intense, heightening the show’s unnerving ability to slip under the wire of our conscious selves.
Francesca Morrison, The Stage 31/07/2015
Hats off to Lez Brotherton's spare but effective design (sandbags, tractor and a propeller evoking time and place) and Malcolm Rippeth's lighting, particularly stunning during the play's true lump-in-throat moment when a soldier drowns.
Lee Trewhela, Cornish Guardian 06/08/2015
