Company:
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Dates:
25/09/2013 to 19/10/2013
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Press quotes
Malcolm Rippeth’s lighting design is key to allowing the play to jump-cut between McArthur’s reality and her imagination.
Thom Dibdin, The Stage 30/09/2013
This is aided no end by Francis O’Connor’s complex yet effective set which itself twists, turns and transforms, and Malcolm Rippeth’s unnerving lighting design together with Philip Pinsky’s claustrophobic soundtrack.
Keith D, Edinburgh Spotlight 29/09/2013