Photograph from Der Rosenkavalier - lighting design by Malcolm Rippeth
Maximilian Moore (Cupid) | Photographer: Curtis Brown for the Santa Fe Opera
Photograph from Der Rosenkavalier - lighting design by Malcolm Rippeth
Ying Fang (Sophie) | Photographer: Curtis Brown for the Santa Fe Opera
Photograph from Der Rosenkavalier - lighting design by Malcolm Rippeth
Ying Fang (Sophie), Paula Murrihy (Octavian), Rachel Willis-Sørensen (Marschallin) | Photographer: Curtis Brown for the Santa Fe Opera
Photograph from Der Rosenkavalier - lighting design by Malcolm Rippeth
Paula Murrihy (Octavian), Ying Fang (Sophie) | Photographer: Curtis Brown for the Santa Fe Opera
Photograph from Der Rosenkavalier - lighting design by Malcolm Rippeth
Megan Marino (Annina) | Photographer: Curtis Brown for the Santa Fe Opera

Der Rosenkavalier

by
Richard Strauss
with Malcolm Rippeth as Lighting Designer

Venue:

Director:

Set designer:

Dates: 
20/07/2024 to 15/08/2024

Show type:

Production photographs

Photograph from Der Rosenkavalier - lighting design by Malcolm Rippeth
Photograph from Der Rosenkavalier - lighting design by Malcolm Rippeth
Photograph from Der Rosenkavalier - lighting design by Malcolm Rippeth
Photograph from Der Rosenkavalier - lighting design by Malcolm Rippeth
Photograph from Der Rosenkavalier - lighting design by Malcolm Rippeth
Photograph from Der Rosenkavalier - lighting design by Malcolm Rippeth
Photograph from Der Rosenkavalier - lighting design by Malcolm Rippeth
Photograph from Der Rosenkavalier - lighting design by Malcolm Rippeth
Photograph from Der Rosenkavalier - lighting design by Malcolm Rippeth
Photograph from Der Rosenkavalier - lighting design by Malcolm Rippeth

Press quotes

McCann's striking 20th-century costumes and Malcolm Rippeth's lighting kept the attention on the characters and their moments of revelation.
Heidi Waleson, Wall Street Journal 05/08/2024
Lighting designer Malcom Rippeth has worked hand in glove with Mr. McCann to flood the stage with subtly shifting effects that deepen the dramatic moments, then turn around on a dime and heighten the comic exchanges.
James Sohre, Opera Today 05/08/2024
In an interview with Ravella in the opera catalog, writer Michael Clive notes the director’s “special attention” to Der Rosenkavalier’s “preoccupation with time.” I would note Lighting Designer Malcolm Rippeth’s genius contributions in this realm throughout, particularly in the opera’s final,... continue reading
Julia Goldberg, Santa Fe Reporter 24/07/2024