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Dates:
22/07/2023 to 22/08/2023
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Press quotes
Malcolm Rippeth’s dramatic lighting heightens all effects.
Scott Cantrell, Dallas Morning News 08/08/2023
Malcolm Rippeth’s straight forward, powerful lighting design added immensely to the effect.
James Sohre, Opera Today 09/08/2023
It was all captivatingly bizarre and otherworldly, highlighted by Malcolm Rippeth’s brilliant lighting that contrasted brightness and shadow in almost equal measure.
Michael Anthonio, Parterre 31/07/2023
Set, costumes and lighting throughout the night provide an ongoing Rorschach test of sorts, with the white walls emphasizing the blood on Rusalka’s white gown, vivifying her new humanity; the red gown worn by the foreign princess (soprano Mary Elizabeth Williams in her feisty SFO debut)... continue reading
Julia Goldberg, Santa Fe Reporter 26/07/2023