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Dates:
03/06/2021 to 18/07/2021
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Press quotes
Malcolm Rippeth’s lighting throws the angular struts of Tom Piper’s set into relief, projecting an abstract forest, and the half-lit stage becomes one with the dusk that creeps around Garsington Opera’s Pavilion. It’s a magical moment in Michael Boyd’s Eugene Onegin, new in 2016, and one of many... continue reading
Edward Bhesania, The Stage 07/06/2021
Designs by Tom Piper and lighting by Malcolm Rippeth are top-notch, typical of the Glyndebourne-level quality Garsington frequently produces.
David Nice, The Arts Desk 07/06/2021
