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Dates:
11/03/2022 to 26/03/2022
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Production photographs
Press quotes
" Coupled with the branches of the large tree dominating the stage, the wooden interior of the theatre gives the impression that you’re sitting on the edge of a forest – while the background and lighting makes you feel as if you’re gazing into mists slowly rising over a lake, while swallows... continue reading
Michael Beakhouse, Wokingham Today 17/03/2022
"The lighting is exquisite creating the rural atmosphere and perfectly picking out characters' moments of isolation."
Nick Wayne, Pocket Sized Theatre 16/03/2022
"There’s not a weak link in the company – Joseph Alessi and Angela Caesar offering particularly strong work – and Hartley T A Kemp’s lighting design is inspired. In some ways, I yearn for a transfer so that more people can see it."
Ian Foster, My Theatre Mates 17/03/2022
The set (strikingly designed by Anna Kelsey and beautifully lit by Hartley T A Kemp) is dominated by a calming willow tree. That tree, in fact, turns out to be a character in its own right - a central personality that comes to connect the players beneath it.
Jo Caruana, Broadway World UK 16/03/2022
"In fact birdsong is what you get to hear first, thanks to sound designer Ella Waldström and a magnificent willow dominates Anna Kelsey's sylvan glade, surely a mother tree, offering shelter, a landmark, a meeting place in the subtle, shifting light and shade of Hartley TA Kemp."
Judi Herman, WhatsOnStage Logo 16/03/2022
