Photograph from Great Expectations - lighting design by chuma
Great Expectations | Photographer: Panayis Chrysovergis
Photograph from Great Expectations - lighting design by chuma
Great Expectations | Photographer: Panayis Chrysovergis
Photograph from Great Expectations - lighting design by chuma
Great Expectations | Photographer: Panayis Chrysovergis
Photograph from Great Expectations - lighting design by chuma
Great Expectations | Photographer: Panayis Chrysovergis
Photograph from Great Expectations - lighting design by chuma
Great Expectations | Photographer: Panayis Chrysovergis

Great Expectations

by
with Chuma Emembolu as Lighting Designer

Director:

Set designer:

Sound designer:

Dates: 
15/12/2019 to 29/12/2019

Show type:

Production photographs

Photograph from Great Expectations - lighting design by chuma
Photograph from Great Expectations - lighting design by chuma
Photograph from Great Expectations - lighting design by chuma
Photograph from Great Expectations - lighting design by chuma
Photograph from Great Expectations - lighting design by chuma
Photograph from Great Expectations - lighting design by chuma
Photograph from Great Expectations - lighting design by chuma
Photograph from Great Expectations - lighting design by chuma
Photograph from Great Expectations - lighting design by chuma
Photograph from Great Expectations - lighting design by chuma

Press quotes

Chuma Emembolu’s lighting design enhances the gloominess and the clever use of music and sound effects establishes a foreboding atmosphere which lingers throughout.
Jonathan Marshall, The Upcoming 19/12/2019
The macabre atmosphere is heightened by the lighting design and the chilling choice of music throughout the piece
Sarah McPartlan, Musical Theatre Musings 18/12/2019
This Gothic adaptation is aided greatly, not only by the set but the sound and lighting too. Chuma Emembolu’s lighting design adds to the mood of the piece, while the music and sound effects help to keep the audience on the edge of their seats
kherrington83, From Page to stage 22/12/2019
The most impressive part of this show is, and by far, the direction by Anastasia Revi. The exceptional set (Eirini Kariori) and lighting design (Chuma Emembolu) help to build a gloomy, gothic atmosphere.
Dominika Fleszar, A Spy In The Stalls 16/12/2019
Chuma Emembolu’s lighting and the skilful use of music and the sound of ticking clocks all add to the mood and the formality of Anastasia Revi’s production makes it easy to play directly to the audience.
Howard Loxton, British Theatre Guide 15/12/2019