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Dates:
03/02/2011 to 19/02/2011
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Production photographs
Press quotes
The stage is set up in a mirror image: is he simply talking to his younger self? A former best friend? Towards the end of the play, it seems as if it might be his brother. In Chris Goode's scrupulous production, the lone man casts two shadows on the opposing walls. It is simple science, of... continue reading
Lyn Gardner, The Guardian 08/02/2011
...on its own terms I was very proud of it, and not least by the extraordinary lighting cadenza which Katharine Williams so beautifully created for the transition between the two plays.
Chris Goode, Thompson's Bank of Communicable Desire
