Jon Nicholls
| Show name | ALD Member | Type | Venue/Company | Creative team | Opens |
|---|---|---|---|---|---|
| Manor | Nina Dunn | Theatre | Littleton Theatre - Royal National Theatre |
Lighting designer: Jon Clark Director: Fiona Buffini Set designer: Lez Brotherston |
Nov 2021 |
| The Seven Pomegranate Seeds | Malcolm Rippeth | Theatre | Rose Theatre Kingston |
Director: Melly Still Set designer: Melly Still |
Nov 2021 |
| Oleanna | Will Burgher | Theatre |
Ustinov Studio, Theatre Royal, Bath, then touring Theatre Royal Bath Productions |
Lighting designer: Oliver Fenwick Director: Lucy Bailey Set designer: Alex Eales |
Oct 2020 |
| The Mirror Crack’d | Malcolm Rippeth | Theatre | National Centre for the Performing Arts, Mumbai |
Director: Melly Still Set designer: Richard Kent |
Jan 2020 |
| Dear Elizabeth | Jessica Hung Han Yun | Theatre | Gate Theatre |
Director: Ellen McDougall Set designer: Moi Tran |
Jan 2020 |
| My Brilliant Friend | Malcolm Rippeth | Theatre | National Theatre - Olivier |
Director: Melly Still Set designer: Soutra Gilmour |
Nov 2019 |
| Breaking the Waves | David Butler | Opera |
Kings Theatre Edinburgh scottish opera |
Lighting designer: Richard Howell Director: Tom Morris Set designer: Soutra Gilmour |
Aug 2019 |
| Breaking the Waves | Neil Foulis | Opera |
Kings Theatre Edinburgh scottish opera |
Lighting designer: Richard Howell Director: Tom Morris Set designer: Soutra Gilmour |
Aug 2019 |
| Captain Corelli's Mandolin | Malcolm Rippeth | Theatre | Harold Pinter Theatre |
Director: Melly Still Set designer: Mayou Trikerioti |
Jul 2019 |
| Captain Corelli's Mandolin | Malcolm Rippeth | Theatre |
Curve Theatre Leicester, then touring Neil Laidlaw Productions, Rose Theatre Kingston & Birmingham Rep |
Director: Melly Still Set designer: Mayou Trikerioti |
Apr 2019 |
| The Mirror Crack’d | Malcolm Rippeth | Theatre |
Salisbury Playhouse, then touring Wales Millennium Centre & Wiltshire Creative |
Director: Melly Still Set designer: Richard Kent |
Feb 2019 |
| The Model Apartment | Will Burgher | Theatre | Ustinov Studio |
Lighting designer: Ben Ormerod Director: Laurence Boswell Set designer: Tim Shortall |
Nov 2018 |
| Touching The Void | James Harrison | Theatre |
Bristol Old Vic, then touring Bristol Old Vic |
Lighting designer: Chris Davey Director: Tom Morris Set designer: Ti Green |
Sep 2018 |
| Our Country's Good | Mark Jonathan | Theatre |
Nottingham Playhouse, then touring Nottingham Playhouse & Ramps on the Moon |
Director: Fiona Buffini Set designer: Neil Murray |
Mar 2018 |
| Our Country's Good | Tom Mowat | Theatre |
Nottingham Playhouse, then touring Nottingham Playhouse & Ramps on the Moon |
Lighting designer: Mark Jonathan Director: Fiona Buffini Set designer: Neil Murray |
Mar 2018 |
| My Brilliant Friend | Malcolm Rippeth | Theatre | Rose Theatre Kingston |
Director: Melly Still Set designer: Soutra Gilmour |
Feb 2017 |
| Pink Mist | Peter Harrison | Theatre |
Bristol Old Vic, then touring Bristol Old Vic |
Director: John Retallack and George Mann Set designer: Emma Cains |
Jan 2017 |
| The Revenger's Tragedy | Mark Jonathan | Theatre |
Nottingham Playhouse Nottingham Playhouse |
Director: Fiona Buffini Set designer: Neil Murray |
Oct 2016 |
| Good Canary | Malcolm Rippeth | Theatre | Rose Theatre Kingston |
Director: John Malkovich Set designer: Pierre-François Limbosch |
Sep 2016 |
| The Duchess of Malfi | Mark Jonathan | Theatre | Nottingham Playhouse |
Director: Fiona Buffini Set designer: Neil Murray |
Oct 2015 |
| Time for the Good Looking Boy | Katharine Williams | Theatre |
Gulbenkian Theatre, Canterbury Box Clever Theatre |
Director: Iqbal Khan |
May 2006 |
| The Buzz | Katharine Williams | Theatre |
Schools tour, then touring Box Clever Theatre |
Director: Michael Wicherek Set designer: Lucien Mansell |
Oct 2005 |
