Olivia Hurton, Plays to See - 20/09/2024
Terror, in fact, is most poignantly conveyed by Marty Langthorne’s lighting choices, the standout feature of this production. The hanging lamp in the kitchen flickers as voices from the past return once more, reflecting the woman’s shaky grip on reality. A blackout is likewise masterfully employed, plunging the audience into a period of uncomfortable confusion, a mirror to the ways this female migrant’s identity was erased by her husband, leaving her to find her own light once more.