Lyndsey Winship, guardian - 22/03/2023

Set to tracks from producer Wen’s album EPHEM:ERA, strong on subwoofers, drifting between club and spaced-out after party. Dale’s contemporary choreography absorbs elements from hip-hop, popping and the looseness and bounce of house dance, as if torsos are tossed in the air causing ribs and shoulders to separate then all fall and stack back together. Limbs fly like a 3D spirograph and blur in the light – that’s a bit of a Russell Maliphant moment, but Dale and his dancers aren’t copyists, they have a style that’s distinct.