Sandra Giorgetti, British Theatre Guide - 03/11/2018

Designers Joshua Gadsby and Naomi Kuyck-Cohen provide a plain white angular space for the modernist home that Andrea ultimately chooses to fight for, placed in front of an ironic backcloth showing a palatial mansion in rolling hills. Does it just pick up on the reference to the Pemberley House of Austen’s Pride And Prejudice or is it saying that good housing has always been the preserve of those that can afford it. It makes for a smart and witty backdrop to a wonderfully subtle, un-preachy but inherently political play that ultimately tells us we have the housing crisis we have brought down on our own heads. And it’s time we did something about it.