Hanna Weibye, theartsdesk.com - 04/03/2016

About three quarters of the way through, Khan takes his dancers off stage for Sawhney, Kapoor, and lighting designer Aideen Malone to deliver a set piece of thrilling simplicity: a slow crescendo of noise like an approaching jet engine, against a slow change reduction of light that makes the black rectangle of the backcloth seem to pulse with the same energy that's causing the stalls to rumble and shake. Coup de théâtre: sudden blackout, crash and silence, then a single figure under harsh red light.