Mark Espiner, Time Out Thu, 2001-10-11 01:00

Lisa Lillywhite’s simple, effective set makes imaginative use of slide projections to cast the subway scene and is aided by Peter Russel’s and Richard Williamson’s subtle and precise sound and lighting designs, which together evoke the heat, claustrophobia and urban shocks of the tube and complement the action and dialogue which crackles with poetry and politics in equal measure. The drama is in the text, true, but this production really draws it out - and it packs a powerful punch.