Annabel Banks, The Cambridge Student Newspaper Thu, 2009-11-05 00:00

I have never seen a Cambridge production where the lighting was so carefully thought out and expertly executed. It refused the convention of simple illumination, scene punctuation or a casual darkness to shuffle scenery in. This lighting was alive: it moved, mid-scene, tracing the changing moods of the action and reassuring us, along with tone shifts that were unnerving at first. [...] Later, as the stunning final tableau faded to black, I sat back in my seat and stared.