Andres Ordorica, A Younger Theatre Thu, 2014-06-19 01:00

The subliminal lighting design of Sherry Coenen adds to the spirituality of the last fifteen minutes of the production. Coenen lights the stage in a mixture of elements of a great rock concert and instances of higher ascension, like celestial gates opening upon death. Fading in and out with barely a glimmer of the musicians, painting them as haunting angels of death, Coenen elevates the performance.