Fiona Spitzkowski, Theatre People Thu, 2015-07-02 01:00
Wally Eastland’s lighting design also used colour to great effect. He perfectly matched Pluck’s changing inner turmoil, creating vastly different worlds with slight shifts in colour and brightness. It certainly took the play into that world of heightened reality that is required by McCall’s intricate text and Chambers’ manic directorial style.
