Tim Ashley, The Guardian - 19/06/2023
Designer Giles Cadle simple set of staircases and platforms initially frame the backstage doors and rooms for the Prologue, but are later transformed by Malcolm Rippeth’s lighting into a disquieting, Escher-type labyrinth – Naxos as an island of the mind where Natalya Romaniw’s Ariadne is effectively imprisoned by her own loneliness.
