Madhia Hussain, Live Theatre UK - 11/03/2017
Switching between timelines, Jess Bernberg’s lighting design transports between scenes; one moment, a pub’s fairy lights adds romance to a bleak meeting of two individuals, then the grey drags back the grimness of Rory’s bathroom. It encompasses the stage, and on a small budget, with discomfort, places the audience into Rory’s private and disgusting state.
