Lucy Popescu, Theatreworld Internet Magazine Mon, 2008-01-14 00:00

Katharine Williams's stunning lighting and Garance Marneur's clever design give a sense of both a small, old fashioned art film house and a dance studio. The intermittent flickering light and Ed Lewis's scratchy soundtrack accompanying much of the action are reminiscent of an early black and white film. Holding this extraordinary vision together is director Carrie Cracknell. Like the memories her atmospheric production attempts to evoke, the images will stay with you long after the final curtain call. A rare treat...