Jonathan Chan
Biography
Previous productions
Previous productions
| Show name | Type | Venue/Company | Role | Creative Team | Opened |
|---|---|---|---|---|---|
| Opera Makers | Opera |
Milton Court Studio Theatre Guildhall School of Music and Drama |
Lighting Designer |
Director: Olivia Fuchs Set designer: Zahra Mansouri |
Jul 2022 |
| Moving Fast and Break Things | Theatre |
Camden People's Theatre Freight Theatre |
Lighting Designer |
Director: Luke Wintour & Alex Rugman Set designer: Sascha Gilmour |
May 2022 |
| The Straw Chair | Theatre |
Finborough Theatre True Name Productions |
Lighting Designer |
Director: Polly Creed Set designer: Alex Marker |
Apr 2022 |
| Urinetown | Musical |
Milton Court Theatre Guildhall School of Music and Drama |
Lighting Designer |
Director: Ashley Zhangazha Set designer: Libby Watson |
Feb 2022 |
| Belvedere | Theatre | Old Red Lion Theatre | Lighting Designer |
Director: Lydia Parker Set designer: Tamsin Robinson |
Nov 2021 |
| Different Owners at Sunrise | Theatre | The Roundhouse, Camden (studio) | Lighting Designer |
Director: Florence O'Mahony Set designer: Stella Backman |
Oct 2021 |
| Snowflakes | Theatre |
Old Red Lion Theatre Dissident Theatre |
Lighting Designer |
Director: Mike Cottrell Set designer: Alys Whitehead |
Sep 2021 |
| Don't Send Flowers | Theatre |
White Bear Theatre Forrest Theatre Company |
Lighting Designer |
Director: Jess Frieze |
Aug 2021 |
| The Life of Olu | Theatre | Theatre Peckham | Lighting Designer |
Director: Jessica Mensah |
Aug 2021 |
| Fester | Theatre |
Cockpit Theatre Half Pace Theatre |
Lighting Designer |
Director: Megan Brewer Set designer: Daria Vasko |
Aug 2021 |
| Amphibian | Theatre |
King's Head Theatre KLAXON Productions |
Lighting Designer |
Director: John Livesey |
Jul 2021 |
| The Life of Olu | Theatre | Golden Goose Theatre | Lighting Designer |
Director: Jessica Mensah |
Jun 2021 |
| Treeson | Concert | Milton Court Theatre, Guildhall School | Lighting Designer |
Director: Dan Light |
May 2021 |
| Life Songs | Television |
Milton Court Theatre, Guildhall School Guildhall School of Music & Drama |
Lighting Designer |
Director: Dinah Stabb & Jamie Bradley |
May 2021 |
| Moving Screens | Non-professional | Milton Court Theatre, Guildhall School | Lighting Designer |
Director: Charlie Vince-Crowhurst and Fergus Kerr |
May 2021 |
| Sticks and Stones | Theatre | Tristan Bates Theatre | Lighting Designer |
Director: Rasheka Christie-Carter Set designer: Pip Terry |
Mar 2020 |
| The Refuge | Theatre | Barons Court Theatre | Lighting Designer |
Director: Gigi Robarts Set designer: Tony Bennett |
Feb 2020 |
| Time | Theatre |
Tristan Bates Theatre Adult Kitchen |
Lighting Designer |
Director: Joe Withers Set designer: Rachel White |
Feb 2020 |
| Random | Theatre |
Tristan Bates Theatre KLAXON Productions |
Lighting Designer |
Director: John Livesey Set designer: Ebubechi Amanda Okpalugo |
Dec 2019 |
Location availability:
- UK London
| Contact method | Details |
|---|---|
| Email address | jchan564@gmail.com |
Theatre:
- Regional (Studio)
- Small Scale Touring
- Fringe / Pub Theatre
Musical:
- Regional (Studio)
- Small Scale / Fringe
Dance:
- Small Scale
Non-professional:
- Musicals
- Plays
News
Appearing here soon... a collection of articles from the Focus magazine archives.
Portfolio
Press quotes
Fester
The sound also ameliorating Jonathan Chan‘s lighting, to deliver a sharp, precise and dynamic synergy, ensuring the piece flowed with ease, quickly switching between scenes and sequences
Ask the Ushers
Vasko’s design, combined with Jonathan Chan’s light design and the ensemble’s scenographic efforts create some magical moments on stage, such as the use of handheld lights to manifest hellhounds and the creation of the ‘hell-evator
Gaurav Singh Nijjer, North West End UK
Random
The large rug, single chair in the middle, and a meticulous lighting design that alternates warm and cold lights to indicate places and states of mind are everything the performer needs to aid her narration.
Cindy Marcolina, Broadway World UK 15/12/2019
The atmosphere of a full theatre in an almost empty stage is created by a superb work of lights. Simple yet perfect. Praise to the creative team helping Francesca create and define the space on stage, so you feel yourself walking in their house, even if you are sitting on a chair of a theatre
Giuseppe Barone, londontheatrereviews.co.uk 11/12/2019
